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Projector Screens

The surface your projector paints on. Compare verified specs, real pricing and home-theater compatibility across every model we track.

The screen is half the projection system, and the cheapest place to waste a good projector. The material is the real decision: standard matte-white for dark rooms, ambient-light-rejecting (ALR) for conventional-throw projectors fighting room light, lenticular CLR for ultra-short-throw projectors (whose steep up-fired beam washes out on anything else — the pairing rule the builder enforces), and acoustically transparent weaves for speakers placed behind the screen. Gain describes how much light the material reflects back — around 1.1 is neutral, higher gains buy brightness at the cost of viewing angle, and sub-1.0 grey materials trade brightness for contrast in imperfect rooms. Size follows the same seating-distance math as a TV, just further up the range. Every material type, gain figure and size below is recorded from stated specs with per-field provenance; prices are live estimates from tracked retailers, cheapest first. Pair the screen with your projector — the bright-room guide walks the ALR-vs-CLR fork with real models, and the throw distance table tells you which projectors reach a given width from where you can actually mount one.

747 of 747 tracked
120" matte white1.1 gain
142" matte white1.4 gain
92" silver 3D1.5 gain
142" grey1.1 gain
100" matte white1.4 gain
142" high contrast grey0.95 gain
150"1 gain
150" high contrast grey0.95 gain
150" silver 3D1.5 gain
92" grey1 gain
142" grey1.1 gain
158" matte white1.1 gain
92" high contrast grey0.95 gain
100" silver 3D1.5 gain
106"1.1 gain
120" grey1 gain
128" micro perf AT1 gain
113" grey1 gain
142" matte white1.4 gain
100" grey1 gain
100" high contrast grey0.95 gain
106" matte white1.4 gain
128" matte white1.1 gain
131.5" perforated AT1.1 gain
142" grey0.95 gain
128" perforated AT1.1 gain
92" grey0.95 gain
128" micro perf AT0.95 gain
106" silver 3D1.5 gain
142" perforated AT1.1 gain
165" matte white1.1 gain
100" grey0.95 gain
158" grey1.1 gain
150" grey1.1 gain
135" micro perf AT1 gain
127.75" micro perf AT1 gain
92" perforated AT1.1 gain
106" grey1 gain
106" high contrast grey0.95 gain
110" perforated AT1.1 gain
128" grey1 gain
150" matte white1.4 gain
135" matte white1.1 gain
142"1.1 gain
150" perforated AT1.1 gain
127.775" micro perf AT0.95 gain
127.75"1.1 gain
127" matte white1.1 gain
135" perforated AT1.1 gain
150" grey0.95 gain
135" micro perf AT0.95 gain
142" grey0.95 gain
110" matte white1.4 gain
100" perforated AT1.1 gain
Compared in this department
Related guides
Buying projector screens — common questions

Do you need an ALR screen?

Only if the room has light you can't control. In a genuinely dark room, a standard matte-white screen is the accurate, affordable choice; ALR materials earn their premium by rejecting light that arrives from angles the projector doesn't use. UST projectors are the separate case — they need lenticular CLR material, not generic ALR.

What screen gain should you get?

Around 1.1 is neutral — it reflects roughly what the projector delivers, with wide viewing angles. Higher gain buys brightness for long throws or larger images but narrows the sweet spot; sub-1.0 grey materials sacrifice brightness to deepen blacks in rooms with some ambient light.

What is an acoustically transparent screen for?

Putting the center channel (or the whole front stage) behind the image, the way cinemas do — the weave or perforation lets sound pass through. The trade-offs are a small brightness loss and material cost, worthwhile mainly in dedicated rooms where speaker placement is otherwise compromised.