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Projector Screens

Page 13 of 13

The surface your projector paints on. Compare verified specs, real pricing and home-theater compatibility across every model we track.

744 of 744 tracked
120" matte white1.3 gain
price unknown
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150" matte white1.3 gain
price unknown
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128" matte white1.3 gain
price unknown
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120"
price unknown
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115" matte white1.1 gain
price unknown
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110" matte white1.3 gain
price unknown
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120" perforated AT1 gain
price unknown
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135" perforated AT1 gain
price unknown
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110" ALR ambient light rejecting1.1 gain
price unknown
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152" CLR ceiling light rejecting0.8 gain
price unknown
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138" ALR ambient light rejecting1.1 gain
price unknown
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106" perforated AT1 gain
price unknown
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103" ALR ambient light rejecting1.5 gain
price unknown
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106" ALR ambient light rejecting1.5 gain
price unknown
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121" CLR ceiling light rejecting0.8 gain
price unknown
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140" matte white1.1 gain
price unknown
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183" matte white1.1 gain
price unknown
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126" ALR ambient light rejecting1.1 gain
price unknown
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100" perforated AT1 gain
price unknown
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120" perforated AT1 gain
price unknown
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180" perforated AT1 gain
price unknown
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126" ALR ambient light rejecting1.1 gain
price unknown
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150" ALR ambient light rejecting1.5 gain
price unknown
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170" matte white1.1 gain
price unknown
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Compared in this department
Elite Screens Aeon CLR 3 103" vs Aeon CLRElite Screens Aeon CLR 3 103" vs EPV Screens EF115HUST-DS2Stewart Filmscreen StudioTek 130 G4 vs Elite Screens Sable Frame 2Elite Screens CineTension3 vs CineTension2Silver Ticket STR-169100 vs Akia Screens AK-NB100H1Severtson Screens BWAT Classic vs Silver Ticket STR-169135-WABEPV Screens EF115HUST-DS2 vs Elite Screens Aeon CLR 3 115"Silver Ticket STR-169100-WAB vs STR-169100-WVS
Related guides
Do you need an ALR screen for a UST projector?Projector screen vs painted wall vs ALR screen: which do you need?
Buying projector screens — common questions

Do you need an ALR screen?

Only if the room has light you can't control. In a genuinely dark room, a standard matte-white screen is the accurate, affordable choice; ALR materials earn their premium by rejecting light that arrives from angles the projector doesn't use. UST projectors are the separate case — they need lenticular CLR material, not generic ALR.

What screen gain should you get?

Around 1.1 is neutral — it reflects roughly what the projector delivers, with wide viewing angles. Higher gain buys brightness for long throws or larger images but narrows the sweet spot; sub-1.0 grey materials sacrifice brightness to deepen blacks in rooms with some ambient light.

What is an acoustically transparent screen for?

Putting the center channel (or the whole front stage) behind the image, the way cinemas do — the weave or perforation lets sound pass through. The trade-offs are a small brightness loss and material cost, worthwhile mainly in dedicated rooms where speaker placement is otherwise compromised.